Digital Catalogs

Explore digital companions to Tony Foster’s Journey print catalogs.

JOURNEY 19 | 2007 - 2025 | 33 Artworks (46 Paintings)

Exploring Time: A Painter’s Perspective

Time, that measuring device which we use to mark continuity and change in ourselves and in the world around us, is the focus of Tony Foster’s 19th Journey. Multiple artworks are grouped in four sections, which reflect different perspectives on time: Geological Time, Biological Time, Human Time, and Fleeting Moments. Select either image below or click here to get started.

This digital companion to the print catalog provides deeper insight into the place and history of each artwork, with curated links that explore human, biological, and geological stories, expert perspectives, and current environmental updates.

JOURNEY 18 | 2018–2023 | 8 ARTWORKS (16 paintings)

Watercolour Diaries from the Green River

First inspired by the 50-million-year-old fossilized fish found in the Green River Formation’s sedimentary rock, Tony examined selected sites along the Green River from its headwaters in the Wind River Mountains of Wyoming to its confluence with the Colorado River in Canyonlands National Park, Utah. Select either image below or click here to get started

This digital companion to the print catalog provides a deeper insight into the artwork souvenirs and showcases video interviews from select catalog essayists.

Journey 16 | 2007–16 | 32 artworks (52 Paintings)

Exploring Beauty: Watercolour Diaries from the Wild

This Journey celebrates the wild beauty of nature. Over the course of nearly a decade, Foster invited leading scientists, explorers, writers, environmentalists and mountaineers to nominate a beautiful wild place. The nominated sites inspired the resulting paintings.

This digital companion to the print catalog provides interactive search capabilities. Select either image or click here to get started.

Journey 15 | 2010–12 | 24 artworks (34 Paintings)

Sacred Places: Watercolour Diaries from the American Southwest

Foster researched and traveled to the Four Corners region of the American Southwest to paint landscapes deemed sacred by different cultures, including Native Americans, Catholics, New Age practitioners and Mormons.